Abstract
The research conducted by Merdeka and Merdeka Belajar Campus (MBKM) focuses on the socio-cultural identity of Gringsing of Bali and Bantenan of Minahasa traditional woven cloth. The unique patterns, motifs, and identities of these traditional woven cloths within Balinese and Minahasa cultures are explored. The research aims to identify and describe these fabrics' social and cultural identity through an explanatory, descriptive, qualitative approach. Drawing on the sociological theory of fashion and clothing by Diana Crane and Laura Bovone, the research seeks to highlight the distinctive styles and motifs of Gringsing and Bantenan woven fabrics. Additionally, the study aims to uncover the evolving philosophical significance of Gringsing and Bantenan woven cloth. These fabrics have transitioned from solely used in traditional and religious activities to now being incorporated into everyday attire, including office uniforms and other social engagements. Gringsing and Bantenan woven fabrics showcase a variety of motifs, colors, and patterns, such as flora and fauna designs. The use of these traditional woven cloths from Gringsing and Bantenan serves as a means to express individual and collective social and regional identities. Moreover, given their significant domestic and international demand, these fabrics can serve as communication tools in cultural exchanges, thereby embodying the social identity of the Indonesia]
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