Abstract
A review of the Atlanta production of Romeo and Juliet by the Shit-faced Shakespeare company. Argues that the performance "highlighted the populist nature of American Shakespearean appropriation and commodification and the intersection of highbrow and lowbrow culture in American society" and "explores these aspects of Shakespearean appropriation through engagement with the writings of Antonin Artaud, Guy Debord, and Lawrence Levine on the theatre of cruelty, the society of the spectacle, and highbrow and lowbrow culture, respectively."
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