Abstract
The article addresses some of the challenges and possibilities of taking slowness as a tool to theorize and practice a way of being an activist anthropologist in the contemporary (neoliberal) university. The activism discussed here intervenes in the university itself. To articulate slowing down as mode of resistance to the unbearably fast and exclusionary rhythms of academic life, the article puts into dialogue documentary cinema and critiques of contemporary academia. Turning to the film Inland Sea as an instance of a mode of attention/attending to the world otherwise, the article concludes on the political potential of slowness to become a collective strategy of resistance to the increased culture of quantification, competition, and financialization in the university, and a tactic for an engaged anthropology to come.
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