Abstract
Abstract: This essay interrogates the carceral geography of the California Central Valley by examining Rachel Kushner’s novel The Mars Room (2018), which unfolds the life and limiting circumstances of a woman serving two life sentences. With capitalism as the driving force and background of this novel, this article examines the problem of representation posed by the prison in American society. Does the novel allow for a sharper perception of the loss wrought by the carceral state? I argue that Kushner uses the novel form to represent the slow violence of incarceration, which is a biopolitical project of the United States.
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