Abstract
A prevailing critical belief holds that Alexander Pope's "Windsor Forest" is an unequivocal celebration of English nationalism and the poet himself is a sympathetic imperialist. Yet such criticism fails to account for the 1736 version of the poem, which, while not significantly textually different from the 1713 version, is published with a number of footnotes detailing both original and alternative verses. The result is a version of "Windsor Forest" that manipulates the generic expectations of the georgic, which, as drawn from Joseph Addison's An Essay on the Georgics , transforms basic georgic tropes of husbandry and transition into structures of political reassessment.
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Similar Papers
Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.