Abstract

Slobodan Selenić’s theatre criticism, although he had been writing for only sixteen years, left a significant trace about the theatrical era. This paper is an introduction to research of Selenić’s essayist discourse, with special attention to authors like Đ. Lebović, J. Sterija Popović, L. Kostić, B. Stanković, B. Nušić, M. Crnjanski, B. M. Mihiz, B. Pekić. Significant literary and theatrical elements of Selenić’s work have served as an example, and his texts about Serbian authors have been specifically studied.

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call