Abstract
According to his own testimony, the painter Filippo Naldi was of Florentine origin. He lived and worked in Dalmatia in the mid-eighteenth century while serving in the Venetian army. He was mentioned in records as a port manager at Opuzen. In the wider Dalmatian area, Naldi painted a large number of religious works and several portraits. This paper attributes to him seven paintings in churches situated in the Dalmatian hinterland and the region of Poljica (at Zavojane near Vrgorac, Dobranje near Imotski, Kostanje at Poljica, Čaporice near Trilj and in the Franciscan monastery at Sinj). The author analyzes the characteristics of Naldi’s painting and his significance in eighteenth-century Dalmatian art and society.
Highlights
Povjerenstvo za izdavačku djelatnost Publishing CommitteeJosip Faričić (predsjednik), Jadranka Čačić-Kumpes, Vera Ćubela Adorić, Serđo Dokoza, Ivo Fabijanić, Vesna Grahovac-Pražić, Vera Graovac Matassi, Katarina Ivon, Stjepan Jagić, Marija Jakovljević, Srećko Jelušić, Vesna Kalajžić, Mario Katić, Patrick Levačić, Damir Magaš, Dražen Maršić, Marijana Matek Sarić, Zdenka Matek Šmit, Željka Matulina, Bosiljka Mustać, Vani Roščić, Sanja Smodlaka Vitas, Valter Tomas, Pavuša Vežić, Dijana Vican, Nikola Vuletić, Slaven Zjalić, Joško Žanić
the painter Filippo Naldi was of Florentine origin
He was mentioned in records as a port manager
Summary
Josip Faričić (predsjednik), Jadranka Čačić-Kumpes, Vera Ćubela Adorić, Serđo Dokoza, Ivo Fabijanić, Vesna Grahovac-Pražić, Vera Graovac Matassi, Katarina Ivon, Stjepan Jagić, Marija Jakovljević, Srećko Jelušić, Vesna Kalajžić, Mario Katić, Patrick Levačić, Damir Magaš, Dražen Maršić, Marijana Matek Sarić, Zdenka Matek Šmit, Željka Matulina, Bosiljka Mustać, Vani Roščić, Sanja Smodlaka Vitas, Valter Tomas, Pavuša Vežić, Dijana Vican, Nikola Vuletić, Slaven Zjalić, Joško Žanić
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