Abstract
How can we explain the increasing popularity of slam poetry among youth in societies colored by long histories of conflict and political repression? This article explores this question for the rise of slam poetry in Chad, since 2014, a conflict-ridden country with an authoritarian regime and deep poverty, characteristics of a society in duress. In Francophone Africa we can speak of a slam poetry movement, where slam as a form of expression and the organization of (inter)national festivals has become a space of belonging for young people in Africa who must cope with societies in duress. The article is the result of my long engagement with the slam scene in francophone Africa.
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