Skyfall, James Bond's Resurrection, and 21st-Century Anglo-American Imperial Nostalgia

Abstract

This article provides readers with an ideological critique of the latest James Bond installment, Skyfall. The author argues that the director of the film, Sam Mendes, has succeeded in creating a highly popular movie by tapping into societal desires for Anglo-American imperial nostalgia. Several characters in the movie, including Bond and M, suffer falls from grace that parallel the loss of British imperial power, but in the end, both Bond and the empire are resurrected when they return to the old and true ways of dealing with cyberterrorist dangers. The 2012 release of Skyfall became a part of the British pageantry that swirled around the London Olympics and the Queen's Diamond Jubilee, and the nostalgic imperialism of this latest Bond film allowed Anglo-American audiences to celebrate Britain's continued relevance and the need for MI6, the British Secret Service.