Abstract
ABSTRACTThis article examines the creation and diffusion of skiffle, and analyses how it emerged from the transatlantic flow of popular music from the United States to the United Kingdom, and the process by which it became “indigenized” in the U.K. I have also looked at the salience of race, the legacy of English music hall song traditions, and the idea of indigenization of music in post-WWII Britain. I have highlighted how skiffle eventually became “English,” its later impact on popular music in the U.K. in the 1960s and thereafter, and the complexities inherent in the idea of musical genre.
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