Abstract
Young, independent theatre-makers have attempted to adapt classical texts to a more contemporary context. This study emphasizes their endeavors through a comparative study of six Egyptian performances of Hamlet. It is concluded that this adaptation of texts is currently a dominant cultural trend which, in turn, remarks the strong tradition already in existence.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
