Abstract
In this interview Alfredo Baldi, historian of the Centro Sperimentale di Cinematografia (CSC) in Rome, gives a detailed overview of the political, cultural and artistic reasons for the prevalent presence of students from about 100 countries and six continents in all the specializations offered at the CSC in Rome (directing, photography, set design and acting), since its foundation in 1935. More specifically, Baldi explains why the CSC was popular in the 1930s and 1940s among students from the Axis nations in pre-war Europe, mentions the fascination of world artists with Italian neorealism, attributes international interest of the CSC to the artistic reputation of the film professionals who taught at the CSC and expresses his interpretation of the reasons for the large numbers of students from Greece, the Arab nations, Latin America and the United States in the 1950s and 1960s. Since its foundation, the CSC has granted diplomas at the end of the two- or three-year cycle of studies, but starting in the 2021–24 academic cycle, it will grant university degrees. Baldi explains what led to this critical and long overdue academic and administrative shift.
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