Abstract
Situla Art is an Iron Age artisanal tradition dated to c. 660/650–275 BC, corresponding to the Hallstatt C2 to the La Tène B2 phases. It is characterised by striking sheet-bronze objects with embossed and/or incised decoration in Orientalising taste with animals, plants and/or human figures generally distributed in friezes. Situla Art is documented between the Apennines and the eastern Alps, and Este is suggested as its key centre. This paper provides a long overdue literature review, a working definition for Situla Art and an updated catalogue with 306 objects. It also (re-)investigates the influences which may have led to the emergence of Situla Art, its development and decline. Hats and earrings depicted in Situla Art are investigated to highlight their identity valencies, and to provide socio-political insights on the Iron Age elite who used Situla Art as a non-linguistic symbol-based system to acquire, exhibit and legitimate power over time in the area of its distribution.
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