Abstract

Abstract The article investigates the social and cultural practices of Sira production and consumption in the later Middle Period. It probes into the place held by Sira regarding the veneration of the Prophet, especially in relation to Hadith. Its first part shows that in the Middle Period Sira was intended as a vast literary repository characterized by fluidity of format, diverse social fruition, and plurality of practices in transmission and consumption. It was a literary field characterized by narrative malleability and creativity, for which there was popular demand and scholarly dedication. The life and work of the Šāfiʿī scholar and Hadith expert Ibn Nāṣir al-Dīn al-Dimašqī (d. 842/1438), in particular his Ǧāmiʿ al-āṯār fī l-siyar wa-mawlid al-muḫtār (The Compilation of Traditions on the Life and Birth of the Chosen One) occupies the second part of the article. Here, Ǧāmiʿ al-āṯār is taken as a written exemplification of the tight relationship between Sira, Hadith and devotion to the Prophet typical of the period, of 14th-15th century Damascus in particular. Overall, the article argues that the intended meaning and use of a text as rich as Ǧāmiʿ al-āṯār can be fully grasped only when we put it in close conversation with the Hadith culture and veneration for the Prophet of the time. It suggests the existence of a pervasive “Sira culture” binding people in a relationship of meaning to their shared memories of the life of the Prophet. Such culture was nurtured by remembrance of the Prophet’s excellency and life milestones. It aimed at cultivating salvific feelings of love for the Prophet that would assure believers a secure place in the Afterlife.

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