Abstract
ABSTRACT In light of the shift from the first phase to the second phase of transnational cinema studies, this volume examines a set of practices of transnational cinema that have been taking place between China and its counterparts. In exploring transnational cinema activities in the form of film collaborations and co-productions, this volume puts the spotlight on critical trends in transnational cinemas that are not limited to Western spheres of influence. Focusing on practical applications of case studies between China, Arab countries, Denmark and the U.S. it contributes to the debates on the definition and practical applications for research on film collaboration and co-production and transnational cinema studies.
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