Abstract

There is a growing body of neurological, cognitive, and social psychological research to suggest the possibility of positive transfer effects from structured musical engagement. In particular, there is evidence to suggest that engagement in musical activities may impact on social inclusion (sense of self and of being socially integrated). Tackling social exclusion and promoting social inclusion are common concerns internationally, such as in the UK and the EC, and there are many diverse Government ministries and agencies globally that see the arts in general and music in particular as a key means by which social needs can be addressed. As part of a wider evaluation of a national, Government-sponsored music education initiative for Primary-aged children in England (“Sing Up”), opportunity was taken by the authors, at the request of the funders, to assess any possible relationship between (a) children's developing singing behavior and development and (b) their social inclusion (sense of self and of being socially integrated). Subsequently, it was possible to match data from n = 6087 participants, drawn from the final 3 years of data collection (2008–2011), in terms of each child's individually assessed singing ability (based on their singing behavior of two well-known songs to create a “normalized singing score”) and their written responses to a specially-designed questionnaire that included a set of statements related to children's sense of being socially included to which the children indicated their level of agreement on a seven-point Likert scale. Data analyses suggested that the higher the normalized singing development rating, the more positive the child's self-concept and sense of being socially included, irrespective of singer age, sex and ethnicity.

Highlights

  • According to their published policies, one of the major concerns of many contemporary Governments and international organizations is social cohesion

  • The design and implementation of the National Singing Programme Sing Up in England was driven by a political concern at that time to ensure that all children of Primary school age experienced regular and successful singing experiences each week. Underpinning this policy initiative, there was an official belief in the potential for music participation to generate wider benefits, as illustrated in such official statements as “. . . the power of music as an agent for personal, social and educational development” (Music Manifesto, 2006, p. 4), “The chance for our most vulnerable and marginalized children to change their lives through music” and “Singing is a fast route to participative music making for every child and helps to build communities”

  • The regression results suggests that children with more advanced singing abilities were more socially included

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Summary

Introduction

According to their published policies, one of the major concerns of many contemporary Governments and international organizations is social cohesion. In the European Union (EU), the Social Protection Committee of the European Commission continues to be an advisory policy committee that monitors social conditions in the EU and produces annual reports. This EC Committee commented that “the social situation in the EU is worsening” in 2012, with nearly one quarter of the population “at risk of poverty or social exclusion in the EU” This equates to 120 million people (Agilis, 2012) and includes 27% of all children in Europe and 20.5% of those over 65

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