Abstract

Despite the sine wave’s close links to the birth of electronic music in the mid-twentieth century, it has been little studied aesthetically, and no systematic review of its artistic usages exists. This article presents a brief literature review, followed by the results of a survey on the principles guiding sine wave-based works. This allows to put forward a typological framework contributing to an understanding of the application of the sine wave in music.

Full Text
Published version (Free)

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call