Abstract
In the laboratory method called simultaneous dichotic loudness balance (SDLB), the contribution-to-loudness that arises from the listener's continually exposed "fatiguing" ear is required to be matched (balanced) by the listener, by adjusting the intensity of a noncontinuous stimulus at the other ("comparison") ear. The latter intensity usually declines, allegedly indicating "fatigue" of the contribution-to-loudness from the "fatiguing" ear. However, no "fatigue" is found when one ear alone (with the other ear in quiet) experiences a continuous well-suprathreshold stimulus. This is a quandary that remains unresolved. The present article offers a resolution, through a novel conceptual model in which any ear experiencing stimuli acts through a well-characterized physiological structure, the olivocochlear bundle, to "turn down the volume" at the opposite ear. The model explains how "fatigue" varies in eight different SDLB conditions, some having several subconditions. Altogether, the model demonstrates that "fatigue" is an artifact of SDLB itself.
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