Abstract
AbstractThis article explores three models used by Simone Weil to describe the concept of grace. In these models grace is depicted as a divine movement that (a) persuades the person to look for transcendent unity behind contradictions; that (b) redirects human attention to God; and that (c) transforms the soul through a process of passivity and waiting. By analyzing the differences and similarities of these three models and by connecting them to two geometric figures (triangle and cross), this article points out the noetic, cosmological, theological, phenomenological, and mystical implications of Weil's philosophy.
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