Abstract

<em>Balinese fashion and dress is one part of Balinese culture with elements of art that have existed in antiquity. The kings of Bali of his day have introduced a distinctive dress culture in their respective regions of power. Some types of Balinese have similarities and differences in forms such as Payas Agung Karangasem, Buleleng, Tabanan, and Badung. Payas Agung The Bali Bridal used to be a dress for the King and queen, but over time now Payas Agung Bridal Bali is used for the wedding of Balinese people in general. The emergence of new make-up artists has made a positive impact in the development of Makeup in Bali, but a study that can be used as a guideline for the tradition of makeup and the value of philosophy is not lost and well preserved. This research is a qualitative type with the theory of symbols, aesthetic theory and religious theory. The research techniques are conducted by observation and interviews, document studies. The results obtained are Cempaka flowers and kenanga is a symbol of Tri Murti in Payas Agung Bridal Bali is placed on the head decoration, where this section is the most purified as the embodiment of offerings to Ida Sang Hyang widhi Wasa. The value contained and the influence of this symbol on the bride is as a form of beauty and Taksu.</em>

Highlights

  • Balinese fashion and dress is one part of Balinese culture with elements of art that have existed in antiquity

  • Payas Agung The Bali Bridal used to be a dress for the King and queen, but over time Payas Agung Bridal Bali is used for the wedding of Balinese people in general

  • The emergence of new make-up artists has made a positive impact in the development of Makeup in Bali, but a study that can be used as a guideline for the tradition of makeup and the value of philosophy is not lost and well preserved

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Summary

PENDAHULUAN

Berbicara mengenai Budaya Bali tentunya masih tetap menjadi hal yang menarik untuk diperbincangkan dan dikaji dalam berbagai bentuk, baik lisan maupun tulisan. Ada dua data yang terdapat dalam penelitian ini yaitu Data Primer data yang dikumpulkan dan diperoleh dengan melakukan observasi langsung di lapangan serta melakukan wawancara kepada nara sumber, seperti Penata Rias Pengantin Bali, Budayawan, dan Seniman. Nara sumber tersebut memberikan data dari hasil wawancara dan praktek langsung mengenai teknik ( Pakem ) Payas Agung Pengantin Bali. Wawancara merupakan teknik pengumpulan data yang menggunakan seorang atau lebih nara sumber untuk mendapatkan informasi yang akurat mengenai objek penelitian. Wawancara dilakukan dengan nara sumber yang berkompeten atau yang terkait dengann dengan penelitian ini yaitu wawancara dengan Tokoh Masyarakat, seniman , praktiasi tata rias Busana Adat Bali. Instrument penunjang lainnya juga telah dipersiapkan, seperti Tape recorder, Alat pencatatan, Handycam, dan kamera foto untuk mendokumentasikan dan mencatat, merekam informasi yang akan diperoleh dari hasil wawancara dengan informan atau nara sumber

PEMBAHASAN
Simbol Tri Murti dalam Payas Agung Bali
Pengaruh Simbol Tri Murti dalam Payas Agung Pengantin
PENUTUP Keberadaan simbol Tri Murti dalam Payas
Full Text
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