Abstract
The principle of unity in multifacetedness is the basis of chamber-ensemble performing art and is presented as a diversity that differs as a quantitative/qualitative structure of instrumental compositions, formed based on a combination of different textural-register and timbre-dynamic qualities. Accordingly, the creative personalities, their emotional and psychological state, technological and executive capabilities are also different. It is shown that the formation of a common artistic concept requires the coordination of all components of the ensemble-performance complex. The mechanism of the formation of intonational unity in the ensemble is shown.
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