Abstract
Abstract In Joshua’s opening military salvo at Jericho (6:8–21), he institutes a strange, oft-overlooked act of communal speechlessness. This absence of speech can be understood as itself a kind of ritual speech. As this paper will argue, Joshua can kill things with and without words. When seen against a backdrop of Near Eastern magic and divine warfare, Joshua emerges as a powerful ritualist, someone who weaponizes speech and speechlessness in service of military victory. As with Joshua’s adjuration in the Aijalon battle (10:12–14) and his curse over Jericho (6:26), his wordless march around the city can be understood as a ritual act with the performative force of cessation. The silencing of the land is both his ritual objective and the ultimate goal of conquest (11:23).
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