Abstract

The iconographic heritage is one of the treasures of Byzantine art that have enriched the south of Italy, and Sicily in particular, since the early 16th century. In this work, the investigations of a Sicilian Icon of Greek-Byzantine origin, the Madonna dell’Elemosina, is reported for the first time. The study was carried out using mainly non-invasive imaging techniques (photography in reflectance and grazing visible light, UV fluorescence, infrared reflectography, radiography, and computed tomography) and spectroscopic techniques (X-ray fluorescence and infrared spectroscopy). The identification of the constituent materials provides a decisive contribution to the correct historical and artistic placement of the Icon, a treasure of the Eastern European historical community in Sicily. Some hidden details have also been highlighted. Most importantly, the information obtained enables us to define its conservation state, the presence of foreign materials, and to direct its protection and restoration.

Highlights

  • In the Byzantine tradition, the Icons represent documents of historical, theological, and philosophical as well as artistic interest

  • The results presented in this paper are considered of great importance, in particular for deepening the knowledge on the technique of making the Orthodox-Byzantine Icons

  • The details, the iconographic details, and the conservation problems were highlighted by a combination of visible light image techniques in visible and grazing light photography

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Summary

Introduction

In the Byzantine tradition, the Icons represent documents of historical, theological, and philosophical as well as artistic interest. Most of the investigations were performed by applying a noninvasive approach to identify the pigments [6,7] or to compare some Icons in order to give the proper attribution to a particular iconographer [8,9,10,11,12,13,14,15]. This output is very small compared to the large number of unstudied artworks that are in need of conservation, and no similar work has been published about the Icons saved in Belarus, Poland, or.

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