Abstract
Shunji Iwai, an “writer” among the new generation of Japanese film directors, exudes a strong personal style in terms of visual expression, narrative characteristics, and theme transmission. In his works, the audience are exposed to the concern for on youth, the yearning for a beautiful love, and the expectations and hopes in their hearts even after the pain. Over-exposed close-ups, warm tones, and life-like plot presentation are the visual labels of his films. This article will take Love Letter as an example to study his video narrative.
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