Abstract
This essay analyzes the construction “race,”; gender, and sexuality in contemporary U.S. popular culture through an analysis of the Hollywood film, Showdown in Little Tokyo, and contemporary mass market magazine images. Focusing on the construction of Asian and white masculinity, this essay suggests ways that white heterosexual masculinity is recentered in U.S. popular culture. This essay also argues for the importance of spatial relations in constructing identities.
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