Abstract

The first twenty years of the 21st century have witnessed important changes in many fields, including art. New social phenomena were born, new theoretical attitudes were announced, and new forms of artistic practice appeared. However, the academic models of artistic research seem to remain conservatively unchanged. The “paradigm paralysis” of artistic research has revealed numerous limitations in examining, analyzing, interpreting and expressing new realities. The attachment of artistic research to other sciences has framed artistic research within rigid concepts and methods, while inhibiting the creativity of artist-researchers. Moreover, the division between art practice and artistic research has reduced the opportunities of their sublimation. Therefore the break of the arts’ ideological anchorage should be considered, artistic research encouraging creativity should be initiated, and directions of the research-based artistic practice should become a widely applied methodology. In order to contribute to these necessary changes, this article formulates a group of statements and proposes an example of a possible artistic strategy. Not surprisingly, the format of this publication is a significant example of reform as well.

Highlights

  • Through the structure and interactive elements of this game, players will receive the art message which is the significance of the article itself as well

  • Both the form and content of this writing aim to assert that if research is liberated from academic stereotypes, conducting artistic research will be the same experience as playing a game

  • Each scientific paradigm is defined by the context of a certain period of time

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Summary

Introduction

Click on this link (http://tranguyen.net/the_differences/) or Scan this QR code This article is presented as an artwork in the form of a mini-game.

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