Abstract
With the exception of a few works, the iconography of Zoroastrianism has received little serious scholarly attention before 2014. Research on the subject has so far been mostly restricted to Sasanian art and the iconography of Anāhitā, cf. e.g. the works by Dorothy G. Shepherd (“The Iconography of Anāhitā: Part I.” In: Berytus Archeological Studies XXVIII: 47–86, 1980) and Lars-Ivar Ringbom (“Zur Ikonographie der Gottin Ardvi Sura Anahita.” In: Acta Academiae Aboensis. Humaniora: humanistiska...
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