Shen-ti Wen-hua: Discourses on the Body in Avant-Garde Taiwanese Performance, 1980s–1990s

Abstract

The article explores historically and theoretically the phenomenon of shen-ti wen-hua (culture of the body) in the context of Taiwan's experimental performance in the 1980s–1990s. By highlighting different corporeal discourses in various sociopolitical contexts across time, it addresses such critical issues as the relation between the individual and the collective in the history of Taiwanese modernity, the quests for identity in art and culture, the transformation of the role of the avant-garde in aesthetic and political pursuits, and the ultimate question of the relationship between art and society from the colonial era to a contemporary world dominated by consumer culture and global capitalism. The body, with its materiality and rich semiotic possibilities, has at certain historical moments served as a potent metaphor for questioning the sociopolitical status quo and envisioning new identities and alternative power relations in Taiwanese society: the period under consideration in the article was one of those moments.