Abstract
Abstract In the field of postcolonial Taiwanese literature, a literary tradition that an author follows often consists in contextualising issues of political identity, historical representation or social struggle via the narrative account of a human protagonist. This paper examines Wu Ming-yi’s postcolonial ecological novels, Shuimian de hangxian 睡眠的航線 [Routes in a Dream] (2007) and Danche shiqieji 單車失竊記 [The Stolen Bicycle] (2015), which not only break with this literary norm, but further invite readers to pay attention to the involvement of non-human agents in Taiwan’s colonial history. With an ecocritical reading of Wu’s works, the paper investigates the significant role of these non-human agents—including butterflies, elephants, a bird, fish–men and a bamboo forest—and further demonstrates that a non-anthropocentric narrative offered by these non-humans is also powerful in the shaping of historical representations and political identities of Taiwan.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
