Abstract
This chapter studies six themes from Brahms’s violin sonatas, exploring many different ways that he crafts musical expression. Each theme demonstrates different aspects of Brahmsian compositional techniques, illustrating the infinitely varied ways he used harmony, texture, motivic evolution, and continuity in what has been described as “developing variation.” These discussions repeatedly show how a musical event that seems to be new (such as a surprising turn of harmony) quite frequently develops from something already heard, imparting the sensation that Brahms’s music is simultaneously drawing upon what has been heard and becoming something new. Awareness of these techniques prepares us for the later chapters, which focus on musical narratives that span entire movements or entire sonatas.
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