Abstract
All gardens are earth art. Gardeners and gardeners, and landscape architects alike —detach er an area of ground from its natural surroundings and give it a new order of boundaries, interior divisions, and plantings. Often they create sculptured earth forms: the flat shelf with retaining bank, drainage channels, and mounded beds of an efficient kitchen garden; the elaborate step-terracing of the hill-slope villa gardens of the Italian Renaissance; the subtly manipulated planes designed to reduce and regularize variations in slope and level in Le Notre's formal gardens; or the calculated contrasts of rolling landscape with flat water plane in the characteristic English “natural” garden of the eighteenth century.
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