Abstract

As the leader in Iranian film industry, Majid Majidi attracted the international film forum by the unique folk custom and consciousness of humanity for many years. His movies often concern adults’ world from the perspective of children to show mournful but not distressing firm belief. This paper will deeply analyze Majid Majidi’s representative—Children of Heaven. From the perspective of audio-visual language and religious faith, it dissected the film’s artistic style.

Highlights

  • Majid Majidi was born in Tehran, Iran, on April 17, 1959

  • With the “A Separation” gaining Oscar for Best Foreign Language Film Award, Golden Bear and Golden Ball Award of Berlin International Film Festival, Iranian films entered into human eyesight with the mighty posture

  • This paper will take Majid Majidi’s “Children of Heaven” as the example from the perspective of folk custom and consciousness of humanity to make a simple analysis of his artistic style

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Summary

Introduction

Majid Majidi was born in Tehran, Iran, on April 17, 1959. He is an Iranian film director, writer and producer. With the “A Separation” gaining Oscar for Best Foreign Language Film Award, Golden Bear and Golden Ball Award of Berlin International Film Festival, Iranian films entered into human eyesight with the mighty posture. It did not have gripping plots or splendid Oscar actors and teams. “Children of Heaven” is directed by Majid Majidi in 1997 This movie played an epoch-making significance to Iranian film forum for it was the first movie to gain Oscar of Best Foreign Language Film Award. This paper will take Majid Majidi’s “Children of Heaven” as the example from the perspective of folk custom and consciousness of humanity to make a simple analysis of his artistic style

Simple and Unadorned Audio-Visual Language
Ubiquitous Religious Faith
Simple and Delicate Linear Narration
The Skills of Blank Space That Is Intriguing
Conclusion
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