Abstract
Walther von der Vogelweide’s “Sô die bluomen ûz dem grase dringent” is usually presented as an adaptation of a commonplace of Minnesang, the assertion that the joys inspired by a courtly lady are superior to those of spring. Such an interpretation accounts neither for Walther’s detailed presentation of the comparison between nature and the lady nor for the apparent repetition of his theme in the final stanza. The poet’s careful use of stylistic and thematic parallels, particularly similes derived from the medieval view of nature, transform the traditionally brief commonplace into a hierarchical conception of being which pervades the entire poem. Simultaneously. Walther’s adaptation of his theme necessitates the “repetition,” which self-consciously involves both his audience and the preceding stanzas in a further comparison, emphasizing the role of the poet in creating and perpetuating the fictions of Minnesang and its system of values.
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