Abstract
The physical form of the Elizabethan theatre, as shown by contemporary prints and engravings, has long been an important field of study for Shakespeare scholars. The discoveries in the late 1980s on Bankside of first the 16th-century Rose theatre and then the Globe have provided material remains of these structures, but at the same time posed new questions relating to design and construction, as this account of the excavation of part of the Globe site in 1989 and 1991 graphically demonstrates.
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