Abstract
After traversing the twenty-kilometer road that leads from the Pan American highway up into the central highland town of San Juan Comalapa in Guatemala, one of the first breaks from the verdant scenery is a mural painted on the cemetery walls. In 2002, teachers, artists, students and other community members sketched and painted the history of their town and people; the result stands as a testament to Mayan resistance. For the recent past, it depicts Guatemala's civil war, the poverty
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