SEXUAL DIFFERENCE AND TRINITARIAN DEATH: CROSS, KENOSIS, AND HIERARCHY IN THE THEO‐DRAMA

Abstract

AbstractHans Urs von Balthasar's “Theo‐Drama: Theological Dramatic Theory” exhibits a mutual funding of a hierarchical ordering of the relation between “man” and “woman” and a hierarchical ordering of the relation between the Father, the Son, and the Spirit. The two hierarchies explain, illustrate, and support one another. Von Balthasar's oscillation between hierarchy and equality, particularly in the divine case, results in a tortured understanding of personhood where being in relation means handing oneself over to another with the threat of death always present. Von Balthasar's understanding of personhood turns out to be fundamentally masochistic. Further, difference collapses into hierarchy and thus turns out to be no more than repetition in the mode of reception, which then poses a serious challenge to Balthasar's account of divine and human being. Since the point of connection between the two is found in his account of the way inner‐trinitarian relations of origin are extended into the world in the sending of the Son, this is the thesis which needs problematizing. For von Balthasar, the kenotic nature of the inner‐trinitarian processions explains what in the life of God makes the cross possible, but this move ascribes something like suffering and death to the inner life of God in a way that undercuts the fullness of divine love while undergirding a hierarchical understanding of divine relationality.