Abstract

Vivian Fine is among the pioneering women of contemporary American music. With a career encompassing seventy years (1925–95) and beyond, Fine has produced a wealth of compositions, for which she has achieved recognition through numerous awards, commissions, and grants. Despite influences from various teachers, including Ruth Crawford and Roger Sessions, and contact with many other high-profile American composers of this century, the essence of Fine's music — her hallmark characteristics of linear writing and harmony defined by dissonance — has remained relatively unchanged. In 1996 Vivian Fine, in her eighty-third year, continues to compose with a vigor usually reserved for youth. This interview explores her thoughts on music, shares reminiscences about past teachers and associates, and traces her growth as a composer and an individual.

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