Abstract
The purpose of the article is to analyze the system of musical-language means embodying the idea of the apocalypse in the Seventh Symphony of Avet Terteryan, the specifics of the pivotal - volume structure of the material and its compositional and dramatic organization. To solve this goal is selected the structural-functional method of analysis. The methodology is based on the use of historical, systemic, structural-functional, comparative, methods which allowed to analyze the general panorama of A. Terteryan's symphonic works, to reveal the specific features of the composition and dramatic organization of the Seventh Symphony and to compare the results of the research with other his one-movement symphonies. The scientific novelty consists in determining the individual profile of Avet Terteryan‘s one-movement symphonies as sonorous-aleatoric and this analysis based on A. Maklygin‘s ―theory of formats‖. Conclusions. Using the example of the Seventh Symphony the features of the embodiment of the apocalyptic program in the Avet Terteryan‘s late symphonies composition are described with taking into account the resources involvement of the sonoristic and aleatoric technique of composition in the reconstruction process of the tone-phonic uniqueness of Armenian instruments.
Highlights
What turned the free entrance, and other bright moments of the first day of the festival, Retrieved from: http://nv.ua/ukr/style/art/music_art/startuvav-atlas-weekend-2017-chim-obernuvsjabezkoshtovnij-vhid-i-inshi-jaskravi-momenti-pershogo-dnja-festivalju-1401497.html [in Ukrainian]
Наукова новизна полягає у визначенні індивідуального профілю одночастинних симфоній Авета Тертеряна як сонорно-алеаторного та його аналізі на основі «теорії форментів» О
The scientific novelty consists in determining the individual profile of Avet Terteryan‘s one-movement symphonies as sonorous-aleatoric and this analysis based on A
Summary
Communication in the organization of the rock festival in the region. 3. Atlas Weekend Music Festival, Retrieved from: http://www.ufest.in.ua/ua/fest/muzichniy-festival-atlasweekend-0 [in Ukrainian]. Cultural industries in the context of socio-cultural changes (on the example of Ukrainian big cities), P. What turned the free entrance, and other bright moments of the first day of the festival, Retrieved from: http://nv.ua/ukr/style/art/music_art/startuvav-atlas-weekend-2017-chim-obernuvsjabezkoshtovnij-vhid-i-inshi-jaskravi-momenti-pershogo-dnja-festivalju-1401497.html [in Ukrainian]. Made in Hungary: Studies in Popular Music, New York, pp. Lingvo-cultural space of Ukrainian alternative music (music of independent Ukraine). The Freak Cabaret on the Revolution Stage: On the Ambivalent Politics of Femininity, Rurality, and Nationalism in Ukrainian Popular Music.
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