Abstract
This present work intents to examine the architectural design and the labor of the architect Lina Bo Bardi for SESC Pompeia Factory (1977-1986) captured by glance of childhood, in relation to establishes with most playful and experimental aspects of human experience, like an invocation of environments relation with one´s body. We try to punctuate and qualify the value of straight sensory experience in the building to reach a full understanding on its tactile qualities that give him an assortment facet of colors, textures, feelings, distances and movements of the very body and time in the space as legitimized feature of spaces there introduced. Keywords: Lina Bo Bardi, SESC Pompeia, sensorial architecture
Highlights
This present work intents to examine the architectural design and the labor of the architect Lina Bo Bardi for SESC Pompeia Factory (1977-1986) captured by glance of childhood, in relation to establishes with most playful and experimental aspects of human experience, like an invocation of environments relation with ones body
Tal postura representa um aspecto consonante com as questões elaboradas nos campos das artes cênicas e das artes plásticas do período em que a arquiteta desenvolve tais propostas arquitetônicas: as décadas de 1960, 1970 e 1980
Buscou-seestabelecer para mim, enquanto autora da análise, a postura, comportamento e percepção dos espaços, ambientes, materiais e texturas identificados na obra arquitetônica sob um olhar de “primeiridade”, um olhar inicial, despido de preconceitos sobre análises arquitetônicas prévias
Summary
This present work intents to examine the architectural design and the labor of the architect Lina Bo Bardi for SESC Pompeia Factory (1977-1986) captured by glance of childhood, in relation to establishes with most playful and experimental aspects of human experience, like an invocation of environments relation with ones body.
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