Abstract
Traditionally, in the northeastern peninsula, the introduction of the first indicators of Mediterranean influence in relation to the consumption of wine, is dated to the second half of the sixth century BC (ionian cups, Attic kylix, Attic black-figure). Nevertheless, in the lower Ebro valley, the exceptional frequency of Phoenician trade shows clear evolution of the ceramic repertoire during the sixth and seventh centuries BC, a fact that makes it possible to evaluate the occurrence of certain ceramic products that show the existence of significant changes in the portfolio of objects associated with the ritual practices of community consumption. In this article we evaluate the adoption of oinochoe in relation to the first signs of renewal being experienced by the indigenous materials associated with drinking. The goal is to represent a stage of fundamental social changes during which ideology shows a significant increase in importance.
Highlights
In the northeastern peninsula, the introduction of the first indicators of Mediterranean influence in relation to the consumption of wine, is dated to the second half of the sixth century BC
In this article we evaluate the adoption of oinochoe in relation to the first signs of renewal being experienced by the indigenous materials associated with drinking
The goal is to represent a stage of fundamental social changes during which ideology shows a significant increase in importance
Summary
Como preámbulo obligado para evaluar si en las situaciones de contacto cultural, las prácticas indígenas vinculadas al consumo comunitario de la bebida observan alguna modificación de los parámetros litúrgicos, debemos valorar de manera específica la evolución que experimenta el repertorio de instrumentos asociado a la celebración de los rituales libatorios y de banquete. La distribución de recipientes fenicios, además de sentar las bases y los patrones morfológicos de las primeras producciones de época ibérica, supone también una modificación de los modelos vasculares locales mucho más inmediata, como lo demuestra la aparición de imitaciones en cerámica a mano, que derivan y reinterpretan vasos foráneos. En el curso inferior del Ebro, al margen de la limitada presencia de vajilla importada, la evolución del repertorio cerámico permite ilustrar a lo largo de los siglos VII-VI aC una modificación importante del instrumental cerámico, en especial por lo que se refiere a la renovación y ampliación de los sets locales de vajilla, siendo la adopción del oinochoe una de las modificaciones más destacadas
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