Abstract
This paper deals with the analysis of public performance and social role of a media star in the post-socialist Serbia on the example of Miki Đuričić, the participant of the first series of reality show Big brother in this region. The issues are regarded through the prism of theater anthropology of Erving Goffman, corrected and complemented with Baudrillard's concepts of simulacrum and simulation. Discursive, symbolic, social, cultural and political practices are discussed as well as the impact of that performance and the efforts of their representation in the light of 'new face of Serbia'.
Sign-in/Register to access full text options 
Talk to us
Join us for a 30 min session where you can share your feedback and ask us any queries you have
Schedule a callDisclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.
