Abstract

Described here is a technique for the real-time separation of a musical instrument timbre from a multitimbre sound source. The separated timbre may be a timbral component of a single musical instrument timbre (e.g., the breath noise from a wind instrument) or an instrument timbre from a multi-instrument sound source. The separation is accomplished by first using performance information, such as pitch tracking or score alignment, to estimate a fundamental frequency for the source of the timbre to be separated. Real-time analysis/resynthesis filtering of the sinusoidal components based on their harmonic relationship to the estimated fundamental frequency is then employed to extract the desired timbre.

Full Text
Paper version not known

Talk to us

Join us for a 30 min session where you can share your feedback and ask us any queries you have

Schedule a call

Disclaimer: All third-party content on this website/platform is and will remain the property of their respective owners and is provided on "as is" basis without any warranties, express or implied. Use of third-party content does not indicate any affiliation, sponsorship with or endorsement by them. Any references to third-party content is to identify the corresponding services and shall be considered fair use under The CopyrightLaw.