Abstract

ABSTRACT This study interrogates the scholarly construct known as the “Old English elegy.” This artificially formulated genre, which combines elements from eighteenth-century Classical German Elegy and nineteenth-century English nationalist nostalgia, comprises an unstable textual canon bringing together a modern perception of shared emotional, psychological, and affective discourses. To demonstrate how the pervasive influence of Romantic poetics and ethnonationalist anxieties underlies the inception and development of the discourse of “Old English elegy,” this study traces their influence across anthologies and critical editions of Old English poetry from the late nineteenth and twentieth centuries. Close reading of a series of thematic and syntactic parallels across Old English texts further illustrates the arbitrary nature of the genre and evidences the need for a new critical terminology that acknowledges the horizontal intertextuality of Old English poetics.

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