Abstract

AbstractAnimals enjoyed an active afterlife in late‐nineteenth‐century pro‐animal texts in Germany. Drawing on a number of primary texts and recent scholarship on the anti‐vivisection movement, this article argues that remembering, mourning, and haunting by animals is part of a gendered discourse on animal rights that is associated in particular with sentiment and with maternity. This is illustrated with reference to Marie Espérance von Schwartz's Gemma, oder Tugend und Laster (1877), a sentimental anti‐vivisection novella in which deceased animals and women return to punish their abusers or shore up the resistant stance of the living. Viewing Schwartz's fictional novella in the context of non‐fictional pro‐animal works, including Ernst Grysanowski's Die Vivisection, ihr wissenschaftlicher Werth und ihre ethische Berechtigung (1877) and Ignaz Bregenzer's Thier‐Ethik: Darstellung der sittlichen und rechtlichen Beziehungen zwischen Mensch und Thier (1894), allows me, by means of contrast, to highlight its gendered dimension.

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