Sensory siege: dromocolonisation, slow violence, and poetic realism in the twenty-first century short story from Gaza

Abstract

Since the Israeli disengagement from Gaza in 2005, the subsequent siege, and Israel’s military operations in the Gaza Strip, including ‘Operation Cast Lead’ in 2008/2009 and ‘Operation Protective Edge’ in 2014, it has become difficult to convey the normality of life in Gaza, a normality that is often elusive in a situation that is increasingly defined by the accelerated and technological violence of dromocolonisation, at the same time that it is marked by what Rob Nixon has termed ‘slow violence.’ To make these forms of violence visible and apprehensible, recent short fiction from Gaza has turned to poetic realism and the use of the sensory experience to represent life under siege. Contrary to visceral realism, which promotes a focus on the body as a site of victimhood and suffering, poetic realism allows the short story writers discussed in this article to reclaim agency and to define a Gazan identity that resists the subjection and subjectification of human rights discourses and of the Anglophone media by focusing both on the ordinariness and the extraordinariness of living in Gaza in the twenty-first century.