Sensitivity and Bias in the Resolution of Stream-Bounce Stimuli.

Abstract

The audiovisual stream-bounce effect refers to the resolution of ambiguous motion sequences as streaming or bouncing depending on the presence or absence of a sound. We used a novel experimental design and signal detection theory (SDT) to determine its sensory or decisional origins. To account for issues raised by Witt etal. on the interpretation of SDT results, we devised a pure signal detection (as opposed to signal discrimination) paradigm and measured participants' sensitivity and criterion when detecting a weak tone concurrent with objectively streaming or bouncing visual displays. We observed no change in sensitivity but a significant change in criterion with participants' criterion more liberal with bouncing targets than for streaming targets with. In a second experiment, we tasked participants with detecting a weak tone in noise while viewing an ambiguous motion sequence. They also indicated whether the targets appeared to stream or bounce. Participants' reported equivalent, mostly bouncing responses for hit and false alarm trials, and equivalent, mostly streaming responses for correct rejection and miss trials. Further, differences in participants' sensitivity and criterion measures for detecting tones in subjectively streaming compared to subjectively bouncing targets were inconsistent with sensory factors. These results support a decisional account of the sound-induced switch from mostly streaming to mostly bouncing responses in audiovisual stream-bounce displays.