Abstract

This essay examines how cultural anxieties about the impact of novels on mental and physical health sparked by the sensation novel permeated late Victorian medical discourse, focusing on the prominent physician and novelist, John Milner Fothergill (1841-1888). I argue, firstly, that the articulation of these anxieties in medical writing was shaped by contemporary attitudes towards women and the working class, and secondly, that, despite his explicit censures, Fothergill's medical and literary works evince narrative and stylistic affinities with sensation fiction. The essay delineates the context behind physicians' opposition to the consumption of certain kinds of fiction in the period, demonstrating how the cultural impact of the sensation novel phenomenon can be more fully charted by incorporating explicitly medical responses. I conclude by emphasizing the need for medical humanists to attend to the diverse ways that contemporary literary developments shape medical prose, whether in the spirit of repudiation or appropriation.

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