Abstract
This article uses interviews and cultural analysis to examine how hip-hop is a site for the reproduction of the second-generation Chilean exile hip-hop group Rebel Diaz's revolutionary postmemory of Allende-era politics in Chile. Revolutionary postmemory posits that Rebel Diaz, and second-generation Chilean exiles more generally, inherit not only the trauma and pain of the Pinochet regime but also the radical politics and hope of the Allende era.
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