Abstract
The decorative and applied art of the Kazan Tatars includes ornamental motives which are studied in the article from the point of view of the art semiotics. The relevance of the work is associated with realization of the relationship between the formation of ornamental elements with gesture and sound which in the process of evolution promoted to the creation of a pictorial language. The detected interaction is revealed through the description and ornamentation analysis method in all its forms: geometric outline, zoomorphic, plant, combined, religious, epigraphic, heraldic embodied by the Kazan Tatars in the objects of decorative and applied art. A review of the museum and collection base exhibits of ornamental art objects helped to classify them according to the types of ornamentation: visual, combined and non-visual. The aim of the paper was to analyze the ethno cultural features of Tatar art through the semantics of ornamental motives.
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