Abstract
This paper, has presented film-making frameworks relying mostly on modern and post-modern movies and the essential expression of self-reflection. The post-modern movies are in some respects different from the modern and classic ones. However, they still benefit from past achievements. The element of self-reflection is obvious in Godard's works which connotes the reality of their filming. In especially most of his latest works, Abbas Kiarostami also takes benefit from this technique. The present article analyses these two directors' viewpoints and presents the obtained influences on classic, modern, and post-modern movies. The expression of self-reflection in their works leads to art maturation. The obtained results of this research offer the related covert and overt values benefiting from the influencing process of three decades and the effect put on spectators in 15 phases. These results are considered qualitatively and quantitatively of great importance.
Highlights
Innovation in cinematic art should be considered from different aspects
New Wave” (Nouvelle Vague) which was a postmodern cinema takes from other forms of art) prevent deconstructionalist movement
Kiarostami began his work by making narrative these references help the viewer not to be drown into an movies, but they both broke the rules and did not get stuck in illusion of reality; rather the viewer is aware that whatever he a definite framework
Summary
Innovation in cinematic art should be considered from different aspects. One of the major questions in this regard which have not yet got the definite answer is the question of how modernism entered cinema. Is the definition of this expression's essence is somehow difficult, and the distinction of its historical origin, regarding the functionalism, is obscure. This obscurity is considered as one of the most important elements of post-modernism. Its non-essentialist or anti-essentialist power is hidden in its eclectic form, is reactionary and does not have a stabilized concept. The definition of post-modernism is in a unit framework and is bound
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